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Henriette Grindat : ウィキペディア英語版
Henriette Grindat
Henriette Grindat (1923–1986) was a Swiss photographer. She was a major female contributor to artistic photography, taking a Surrealist approach inspired by the literary trends of the post-war years.
==Biography==
Born in Biel, Grindat suffered from poliomyelitis as a child. As a result, she matriculated from high school only in 1944. She then studied photography at Gertude Fehr's school, first in Lausanne and later in Vevey, receiving her diploma in 1948.〔("Henriette Grindat (1923-1986)" ), Bibliothèque Cantonale et Universitaire - Lausanne. Retrieved 28 March 2013.〕
In 1948, Grindat established her own studio in Lausanne, contributing to Swiss newspapers and journals. The following year she moved to Paris where she worked for international journals and French publishing houses including ''Bordas'', ''Arthaud'' and ''Le Seuil''. Inspired by the Surrealist poet Lautréamont, she exhibited at La Hune in Paris, attracting the attention of André Breton, Man Ray, René Char and Albert Camus. Together with Char and Camus, she contributed to ''La postérité du soleil'', which was not published until 1965, five years after Camus' death.〔 On returning to Switzerland, Grindat received federal grants and went on to publish ''Algérie'' (1956), ''Méditerranée'' (1957), ''Adriatique'' (1959) and ''Le Nil des sources à la mer, des pyramides aux barrages'' (1960). In the 1960s, she completed photographic projects in the United States, Spain, Austria, Iceland, Czechoslovakia and Italy, where she was particularly taken by Venice. From the beginning of the 1970s, her work turned to the human body and nude photography.〔("Grindat, Henriette" ), ''Dictionnaire historique de la Suisse''. Retrieved 28 March 2013.〕
On 25 February 1986, shortly after the death of her companion Albert Yersin, Henriette Grindat took her own life in Lausanne.〔

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